“People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can’t rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.”
Horrific and destructive events take place on October 30th; Devil’s Night. Fires burn across a decaying city as a crow surveys the landscape from atop a spire. This is the modern Hell. A world of decay and corruption; one bereft of love and compassion, where blood is spilled without heed on a regular basis.
On Friday May 13th 1994, The Crow, Alex Proyas’ feature debut, based on the comic books of Detroit native James O’Barr, was released in cinemas across the United States. The first R-Rated adaptation of its kind, it created a template for the Gothic antihero which fit perfectly into the nihilistic pop culture of the era. Brandon Lee, for many, became the epitome of tragic beauty with his portrayal of Eric Draven, a budding musician who is slain the night before his wedding. Shelly Webster, his bride to be is brutally assaulted, raped and left for dead, only to pass shortly afterwards. The solace that a young companion, Sarah, found in the couple has been destroyed forever, casting her back into the uncaring world her mother inhabits; one of drugs, miscreants and squalor.
Before long, Draven rises from the grave and, guided by a crow, seeks out the perpetrators of his demise; systematically exacting revenge in a methodical and bloody manner. A range of unforgettable villains stand in the way of his redemption, as Lee transforms himself into The Crow; an angel, a ghost, a warrior.
This is the story of one of the most resonant and influential comic book movies of all time, told by those who were there, in an exclusive celebration of the twenty-first anniversary of the film that spawned a legacy.Read More›