Straw Dogs Through Generations – The Territorial Imperative

 

Straw Dogs’ legacy is one which will live on as long as cinema itself, as uncomfortable and difficult as that may be. 

“Heaven and earth are ruthless, and treat the myriad creatures as straw dogs; the sage is ruthless, and treats the people as straw dogs.

Lao Tzu’s Tao Teh Ching. Book One, Poem V (Penguin Ed. Trans. D.C. Lau)

The desolate remoteness of the Cornish countryside, in the Southern English locale known as ‘The West Country’, formed the backdrop for veteran US director Sam Peckinpah’s sixth feature; a rural western which would cause enough furore and controversy to ignite passionate debate over four decades after its initial release in 1971. Straw Dogs is a provocative and challenging film which poses many difficult questions pertaining to the nature of violence and sexuality. A source of conflict and debate amongst critics and academics alike, there is a wealth of philosophy and introspective analysis taking place amidst the societal and personal breakdowns which occur during the two hours of relentless tension.

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The Gentleman of the Golden Age – The Escapades of R Bolla aka Robert Kerman

Walking the dirty streets of Times Square in the mid-1970s was a world away from the glitzy Disneyland it has become today. Hookers, pimps, peep shows and dirty bookstores were the predominant form of business in the area. 42nd St was an endless gauntlet of theatres, each with marquees displaying a mixture of sensationalist and lascivious titles; this was the era of Grindhouse.

In the wake of Deep Throat (1972), the porn industry became fashionable, as upmarket couples slummed it in the filthy fleapits, dressed to the nines as they occupied the same seats that the raincoat brigade had shuffled in for years previously. The money began to roll in, and soon enough everyone wanted a cut. The number of films in production skyrocketed and the scene in New York became an entity unto itself. This is a story of one man who was there for the whole thing.

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